Archive for the ‘Reviews’ Category

Posted by tekhammer at 24 March 2011

Category: Reviews

Tags: ,

Witchfinder General and I sat down over a month ago (after talking about it for a month before that) to write a dual review. That is, a record that we both review. The idea was to find an album or band that one of us liked and the other disliked, and write something that would come off with us duking it out until the person with the most punches won.

But it didn’t turn out anything like that.

There was a whole bunch of very recent stuff that we both enjoyed, so we decided to skip all that. So when he brought up the idea of Electric Wizard’s recent release — Black Masses — I had already determined that I wasn’t going to like it. I’ve heard a bunch of their older stuff before. Little tidbits here and there, mostly on YouTube, and it didn’t really grab me. I’m not into drone, and I’m not a stoner, so I figured, if I can’t tick any of the boxes, I’m not going to like it. But as it turns out..
(more…)

Posted by Witchfinder General at 11 March 2011

Category: Reviews

Tags: ,

Like the previous Monster Magnet album 4 Way Diablo, the new one didn’t exactly blow me away on the first listen or two.  Although it did seem that there is more variety in the songs this time around, sometimes invoking more of a feel of their older more stoner type of approach.

After a few listens it still hadn’t really clicked with me and when I played a track recently (one of the bonus tracks on the version I have) on the Anger Management show I commented that when I select a bonus track as the first track to play, then that might be a telling sign that the album isn’t all that special.

But some more listens later and I’m backtracking on that a bit.  It is a very good album, and as mentioned previously nicely diverse compared to recent efforts.  On the downside, only two songs stick in my head – Dig That Hole and Gods And Punks.  Also the delivery of the main line from the track Perish In Fire, “I’ve got three words for you now / Perish in fire”.

It still doesn’t rate up with what I think was their last great album, Monolithic Baby! That one is definitely buy or die in my book, and the best of the four albums since Powertrip.

Posted by tekhammer at 19 December 2010

Category: Reviews

Tags: ,

If you like your women built for comfort, not for speed, then you will love this all-star rocking tribute to plus sized girls.

Some time in July, this tribute was announced and made available for pre-order. After seeing the line-up and the boobs, I ordered it right away. The album was released on August 31st, and I always meant to review it, but being that I’m a slack-arse, and that I initially thought this would be limited and hard for you to find later, I just put it on the back burner until my brain shunted it aside to make way for other important stuff (like remembering to breathe). But I’ve since discovered that it’s still for sale and readily available, so I figure you need to know about it.

First off, other than the obvious, this is a tribute to fat chicks. Several of the songs on this album have been the foundations for several of my mottos over the years, so naturally, I thoroughly approved of every moment of it. But not only are the songs classic rock songs, but they’re performed by classic rockers. With the likes of Phil Lewis of LA Guns, Eddie Ojeda and Jay Jay French of Twisted Sister, Alex Grossi and Frankie Banali of Quiet Riot, Stet Howland of W.A.S.P., and many others, this was just too good to pass up. A full tracklisting of the Whole Lotta Love is: (more…)

Posted by tristania at 13 December 2010

Category: Festivals, Reviews

Tags: ,

After much umming and ahhing, I decided to bite the bullet and get my arse to this show. Typically, the later you leave these things, the more you are rewarded, as they had put up special “packages” including a Megadeth CD/ticket bundle.
My main concern was the lineup of this festival.

It was a decision I had to weigh up. In the metal arena, 3 Inches of Blood, Gwar, Katatonia, and metal heavyweights Megadeth. And the others? Outsider, Leeches, Antagonist AD, We Came as Romans, Suicide Silence, Frenzal Rhomb, Parkway Drive, Dropkick Murphys and NOFX and a band called Shitripper. Um who? Yes exactly.

It turned out as soon as I landed in Auckland it was all going to be worth it. Megadeth bassist Dave Ellefson was spotted getting out of the lift at my hotel. Ahhhh I am instantly trembling in my knee-high boots. The legends are here.

Turning up to the ASB showgrounds, I was in no rush. Gates opened around 12pm, but nothing worthwhile in the way of decent bands was happening until 2pm. Much time was killed at the merch stand (surprisingly there were a few good tour shirts marked at the affordable $40 price). I was struck by the unfamiliar assembling crowd. Younger punk and emo fans clearly outnumbered the older metal brigade considerably. Hardly any older metal shirts were to be seen. I had donned a vintage Katatonia shirt for the event which became an item of envy during each trip to the little girl’s room.

Interestingly, the venue was like a giant hall. Two stages were set up side by side. I thought this wasn’t a bad idea, while one band played, the other completed soundcheck and were right on schedule, no mucking about.

Canadians, 3 Inches of Blood finally appeared. Ah, the first of many bourbons were consumed. I was in awe of the vocalist’s pitch, and was transported back to the days when metal was fun. Ahh memories. NWOBHM… come back!!!

All too soon it was over, and the long wait until 4pm began when something good was about to happen.

I made it to the front row to wait for Katatonia, while my ears were assaulted by Suicide Silence and their mediocre deathcore screechings from the other stage. Hurry up, real musicians!

And that they did. I witnessed Per Eriksson himself (ex-Bloodbath) struggling through sound check. I didn’t mind, he smiled at me half a dozen times. The technical issues continued during their set, but they handled it like pros. I also affirmed that Jonas Renske does indeed have a face, he’s very good at burying it with his hair, but I couldn’t fault his vocals. They stuck to their 40 minutes and disappeared into the long wait for another decent band to take the stage…

…Which for me, happened to be GWAR!! What can I say about these guys that isn’t totally obvious. They are larger than life. Literally. They make their guitars look small. I was mesmorised by how they could even see what they were doing inside those costumes. The fake blood was endless and there was so much going on onstage. I’m not too familiar with their new stuff, but I actually wasn’t too focused on the music, more on the latex and whether or not the blood would reach me, standing back at a safe distance. Hehe now that is entertainment!

Dum-de-doo by now fatigue is setting in. No wait, that was Parkway Drive. I couldn’t for the life of me work out the appeal of these guys, or Dropkick Murphys who sounded like a celtic folky band you’d hear down at the Black Harp on a Friday night. Same confusion for NOFX. Oh well, they could keep going while I found a good spot to wait for Megadeth. I even ignored their lame attempts at cajoling the Megadeth fans.

And finally, here they were. Wowie, hello Dave Ellefson! Welcome back! Straight into Rust in Peace. All of it, flawless. Yes, the whole album, even Dawn Patrol, and the first time I’ve ever seen, Vic Rattlehead himself made an appearance, pointing out at us with a bony finger. Chris Broderick was on fire. I spent most of the time thinking “Marty who?” incredible. Mustaine’s vocals were hanging in there, a surprisingly good job considering how hard these songs are to play live. Yup, we got a few extra songs tacked on the end too, and it was all over within an hour.

I barely had time to grab a taxi and head back to the hotel, but who should I meet there but Chris Broderick himself, friendly and in good spirits and no doubt heading for the nearest gym.

Well, despite the overloading punk/emo/deathcore/celtic trippyness, I got to see some decent metal acts and that to me was all worth it.

I can has sleep naow?

Posted by tekhammer at 9 November 2010

Category: Reviews

Tags: ,

After almost two anxious weeks of waiting, my copy of Triptykon’s Eparistera Daimones Complete Sessions limited vinyl boxset finally arrived from Century Media in Germany.

The boxset includes Triptykon‘s debut album — Eparistera Daimones — and their newly released EP Shatter. Because Eparistera Daimones is 75 minutes long, this had to be split over two LPs, so to include the new EP, this box has 3 heavy-weight 180 gram discs.

First some pictures. (more…)

Posted by Witchfinder General at 28 October 2010

Category: Reviews

Tags:

I’m still really buzzed about the recent Metallica gigs.  For one main reason, well make that two…

Whatever you think of them, a Metallica show is a good fun rockin’ & metallin’ time.

What’s really got me and kept me excited is the changes in setlist from night to night, often quite radical changes.

I really want to jump on a plane to Aussie and see them yet again before they leave this part of the world.  But lack of time and money means I need to be happy with the 3 times I did see them (one of those was pure luck that I was going to be in Melbourne at the time).

Take this journey with me…

Melb Sept 16 – Nothing from Load to St Anger, heaps off the black album, only 3 from Death Magnetic, and tracks like …AJFA, Battery, Four Horsemen, and Helpless as their encore cover track. I’m a fan of the black album so I was plenty happy.

Chch Sept 21 – I wasn’t at this one but they played the likes of For Whom The Bell Tolls, Fade To Black, Stone Cold Crazy, and Whiplash. Overall pretty cool but not as cool as Melbourne and I’m glad I was at the 2nd night in Chch…

Chch Sept 22 –  A night of surprises and generally great selections. Harvester Of Sorrow, Through The Never, The Memory Remains, Turn The Page(!), The Judas Kiss (one of my favs from the latest album), Damage Inc, not to mention Blitzkrieg and Hit The Lights in the encore. Holy shit!

Akld Oct 13 – This was the night I was at, including For Whom The Bell Tolls, Wherever I May Roam, No Leaf Clover(!!), …AJFA, Blackened (holy fucking crap yeah!!!), and Breadfan as the encore cover.  Pretty damn happy with that, but then they changed something like 12 of the 18 songs on the 2nd night…

Akld Oct 14 - Ride The Lightning, Fade To Black, Of Wolf And Man, All Nightmare Long (another of my favs from the latest), Orion(!!!!), Fight Fire With Fire, then Phantom Lord amongst the encore tracks.

Since those gigs I’ve seen that they’ve been busting out even more selections rarely played on the current tour… Disposable Heroes and Unforgiven III in Japan, The God That Failed (meaning that on this leg of the tour they’ve played every track from the black album except The Struggle Within) one night in Brisbane followed by The Thing That Should Not Be, I Disappear, and My Apocalypse the night after.

(I should add that the tracks they play every single night are – Seek And Destroy, Puppets, Sad But True, Nothing Else Matters, Sandman, and That Was Just Your Life)

Think what you like about Metallica, but I’ve had a great time seeing the gigs I did, and also collecting the complete live recordings of the above 5 shows as 192kbps mp3s.

I’ve made myself compilation discs of those gigs, no track appearing more than once.  In almost 220 minutes over 3 discs I still haven’t included at least half a dozen tracks, testament to the huge amount of material played.

Iron Maiden could learn something from this!

Posted by tekhammer at 27 October 2010

Category: Reviews

Tags:

Black-Sabbath.com have got a very thorough review of the forthcoming Black Sabbath Seventh Star and Eternal Idol deluxe boxsets.

Eternal Idol comes with a second disc that, instead of being a live CD, has got recordings of 8 of the 9 tracks as sung by that album’s original singer, Ray Gillen. As much as I am a fan of Tony Martin (he’s my favourite Sabbath singer), I’d like to hear the originals. So I’ll be getting Eternal Idol.

So far, the only other Deluxe Edition I’ve got is Mob Rules because, duh. The other one I’d love to see is my all-time favourite Sabbath album, Headless Cross. It’d be good to hear a remastered version of that.

The Seventh Star and Eternal Idol deluxe editions are due for release in the UK on 1st November. Apparently, they’re not getting a US release, so Americaners will have to import it.

Posted by tekhammer at 15 October 2010

Category: Reviews

Tags:

Oh yeeeeaaahh..

Mad fucking props to Peaceville/Burning Shed in the UK. I just ordered my copy of the Candlemass Limited Edition Nightfall re-release on gold vinyl, what? 5 days ago? And I already have it in my hands. It may have been here earlier, but I haven’t checked my PO Box for a couple of days. Damn. Well packed too, as one would hope.

Real nice. I can’t wait to get home so I can cover it in whipped cream and rub it all over my body. MMMmmmm.. Here are photos (pre-whipped cream):

The apparent marks on the disc are just reflections from the lights above.

Posted by Witchfinder General at 25 August 2010

Category: Reviews

I just got this recently for $12 in the Real Groovy Auckland metal sale bin.

Warrel Dane is of course the vocalist/frontman of the excellent Nevermore, and formerly Sanctuary.

His solo album Praises To The War Machine came out in 2008. I heard a couple of the tracks at the time which were nothing amazing, particularly when one considers the staggeringly good releases that Nevermore previously produced (e.g. Dreaming Neon Black, Dead Heart In A Dead World, and This Godless Endeavour). I also read a couple of reviews that generally suggested that it was a typical solo album in that it didn’t really produce anything of great note.

Now that I have it I’m pleased to say it’s a very good and very enjoyable album, and while it can’t touch Nevermore‘s best stuff, it’s worth owning even at full price I’d say. The cover version of Lucretia My Reflection (originally by Sisters Of Mercy of course) didn’t grab me on first listen I have to say, but after three listens now I’m liking that a lot too.

The album features playing and some songwriting by Peter Witchers (Soilwork), and Matt Wicklund (ex-Himsa), and a couple of guest guitar solos.

Rock on!

Posted by tekhammer at 18 July 2010

Category: Reviews

Tags:

Last night was one of the nights that the Big 4 were playing in our local cinemas, so I couldn’t pass up the opportunity to see Anthrax play. The show was filmed in late June at Sofia, Bulgaria and finally made its way to the bottom of the planet.

It went without a hitch here in Wellington, but Hamilton had some trouble. Apparently the trouble was the late arrival of the screen masters and not being able to transfer it to their hard drives. So not sure, but maybe they don’t use tape spool projectors any more. The cinema managed to contact all but 30 people, who turned up after having got drunk first and were mad, possibly because, well other than the fact that they’re redneck hicks, that they had to go back home to their families. One man threatened theatre staff with his walking cane, so I hate to think what would have happened if he threw his teeth down. Police escorted the old drunken git off the premises. (more…)